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Meet Alice Thrift, surgical intern in a Boston hospital, high of I.Q. but low in social graces. She doesn’t mean to be acerbic, clinical, or blunt, but where was she the day they taught Bedside Manner 101? Into Alice’s workaholic and wallflower...
23) Pretty dead
24) Widow's walk
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Boston's premier P.I investigates the murder of a prominent local banker, with family ties to the Mayflower - and perhaps the mob.
When fifty-one year old Nathan Smith, a confirmed bachelor, is found dead in his bed with a hole in his head made by a .38 caliber slug, it's hard not to imagine Nathan's young bride as the one with her finger on the trigger. Even her lawyer thinks she's guilty. But given...
25) Loyalty
27) The whisper
28) The apprentice
The bestselling author of The Surgeon returns—and so does that chilling novel’s diabolical villain. Though held behind bars, Warren Hoyt still haunts a helpless city, seeming to bequeath his evil legacy to a student all-too-diligent . . . and all-too-deadly.
It is a boiling hot Boston...
29) Hush money
When Robin Nevins, the son of Hawk's boyhood mentor, is denied at the University, Hawk asks Spenser to investigate. It appears the denial is tied to the suicide of a young gay activist, and as Spenser digs deeper he is nearly drowned in a multicultural swamp of politics: black, gay, academic, and feminist. At the same time, Spenser's inamorata, Susan, asks him to come to the aid of an old college friend, K.C. Roth, the victim of a stalker. Spenser
...30) The sinner
Not even the icy temperatures of a typical New England winter can match the bone-chilling scene of carnage discovered at the chapel of Our Lady of Divine Light. Within the cloistered convent lie two nuns–one dead, one critically injured–victims of an unspeakably savage attacker. The brutal crime appears to be without motive, but medical...
31) Harvard Yard
32) Catch me
34) The angel
35) Hardware
36) Alone
Alone . . . that’s where the nightmare began for cool, beautiful,...
38) School days
40) Paper doll
Hired by Loudon Tripp, an aggrieved Boston aristocrat who believes his late wife Olivia's brutal street slaying to be something other than random violence, Spencer immediately senses that his client's picture-perfect portrayal of his family life is false. For starters, the victim's reputation is too saintly, her house is as lived-in as a stage set, and her troubled children don't appear to be the product of a happy home. Spencer plunges into a
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