"We pray to our ancestors but we do not worship them. You, you need an intermediary, the priest. But for us, our intermediary is the ancestor who is sitting next to God," says Poundé, the old Cameroonian ethnologist, to the young Jewish director from Canada. And with this conclusive statement, everything becomes clear: the funerals in memory of "the dead who are not dead" organized several days or even years following the burial, the chants, brass...

Monday's Girls explores the conflict between modern individualism and traditional communities in today's Africa through the eyes of two young Waikiriki women from the Niger delta. Although both come from leading families in the same large island town, Florence looks at the iria women's initiation ceremony as an honor, while Azikiwe, who has lived in the city for ten years, sees it as an indignity. Ngozi Onwurah, director of such feminist classics...

Sons of Shiva is a sustained attempt to film a four-day ceremony concerned with the worship of Shiva. Devotees of the God Shiva are shown from the initial taking of the Sacred Thread through gradually intensifying action to a culmination in a variety of ascetic and self denying practices.

At the request of a dying Tiwi man and his family on Melville Island, this film was made of the pukumani (bereavement) ceremony to follow his death. The film observes the family through the long period of preparation for the ceremony, following age-old traditions. Dancing and face-painting are rehearsed, to the family's satisfaction, and because "things should be right for this film". For the two days of ceremony, the community moves to Carslake Beach...

To the Land of Bliss is an intimate portrayal of the Chinese Pure Land Buddhist way of dying and living. In 1998, the filmmaker/anthropologist Wen-jie Qin returned to her home region in Sichuan Province in southwest China to research the post-Mao revival of Buddhism.

"This celebration of cemeteries across America takes an unusual and informative look at graves, monuments, family plots, sculpture, and the way cemeteries interconnect with many aspects of modern American culture. Traveling from Key West to central Alaska, the program features examples of burial grounds as special sites where history and art are preserved, where flowers and trees can be important attractions, where people make pilgrimages to the final...

This documentary is about a group of non-Native women's search for self in "other". The focus is on a specific group of New Age women in Ojai, California who construct a new sweat lodge and perform their own ceremony.

The Women's Olamal follows the events that preceded a controversial ceremony in Loita, Kenya, to bless the women and to increase their ability to have children. This film, presented in observational style with limited commentary, depicts some of the tensions between men and women in Maasai society which, in this case, erupt in a violent row between them.

When Geraldine Kawanka's husband died, she and her children moved out of their house. In earlier times, their bark house would have been burnt, but today a "house-opening" ceremony has evolved, creatively mingling Aboriginal, Torres Strait, and European traditions in order to deal with death in the context of new living patterns in the Aboriginal community of Aurukun, on the Cape York Peninsula, north Queensland. This beautifully observed documentary...

Made at the request of the people of Mornington Island, this film was the first of five made by Curtis Levy for the Australian Institute of Aboriginal Studies (now AIATSIS). Lurugu is the name of an initiation ceremony that had almost died out on Mornington Island (in the Gulf of Carpentaria in north Queensland) after mission contact during World War One. This film records the community's efforts to revive the ceremony after a lapse of 14 years. Before...