When a horrific accident shatters her dreams of becoming a world class dancer, Riley Adams clings to her faith, determined to recover in time for the national competition. Refusing to let rival dance student Alea's merciless teasing for Riley's Christian beliefs stand in her way, Riley fights to regain mobility. When the college student discovers equine therapy, she develops a special bond with a beautiful mare named Grace and finds an unexpected...

Sons of Shiva is a sustained attempt to film a four-day ceremony concerned with the worship of Shiva. Devotees of the God Shiva are shown from the initial taking of the Sacred Thread through gradually intensifying action to a culmination in a variety of ascetic and self denying practices.

Based on actual events now happenning to the suffering house church in China, this thrilling drama will move viewers into a new sense of the power of faith in the face of oppression.

To the Land of Bliss is an intimate portrayal of the Chinese Pure Land Buddhist way of dying and living. In 1998, the filmmaker/anthropologist Wen-jie Qin returned to her home region in Sichuan Province in southwest China to research the post-Mao revival of Buddhism.

Presentation by Leonid Sharashkin at the Nexus Conference, Australia, 2008.

Unfolds a fresh understanding of what faith is and what it is not.

Follows a young Mormon teenager named Tom and his friends on their handcart journey. Along the way they try to smuggle in unsanctioned food, battle sibling rivalry, and match wits with a twinkie-loving skunk. But when they encounter unexpected trouble, their faith is tested much like their pioneer ancestors.

This program discusses care at the end of life, primarily focusing on pallative care of individuals and their families. The program's focus is on spiritual and supportive aspects of care rather than physical care. Information on the role and importance of advance care planning and advance directives is also presented.

This original ethnographic video depicts how New Agers, the Mexican state, tourists, and 1920s archaeologists all contend to "clear" the site of the antique Maya city of Chichen Itza in order to produce their own idealized and unobstructed visions of "Maya" while the local Maya themselves struggle to occupy the site as vendors and artisans. The setting is the spring Equinox when a shadow said to represent the Maya serpent-god Kukulkan appears on one...