The Red and the Black, by Stendhal, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: • New introductions commissioned from todays top writers and scholars • Biographies of the authors • Chronologies of contemporary...

In nineteenth century France, a former convict tries to overcome his past and is asked to raise a prostitute's daughter, while being hounded by a policeman who vows to put him back behind bars.

Follows the adventures of Phileas Fogg, an imperturbable English gentleman, as, in 1872, he tries to win his wager that he can travel around the world in eighty days.

Explores the various aspects of the weather and the changing seasons on spiral-bound transparent pages.

In this thought-provoking, endlessly enlightening, and entertaining essay on the art of the novel, renowned author Milan Kundera suggests that "the curtain" represents a ready-made perception of the world that each of us has-a pre-interpreted world. The job of the novelist, he argues, is to rip through the curtain and reveal what it hides. Here an incomparable literary artist cleverly sketches out his personal view of the history and value of the...

Text and photographs present some of the ugliest and strangest animals in nature, with explanations of how their repugnant looks are helpful to them in some way.

"In Who Built That? Bridges, illustrator Didier Cornille presents ten of the most important bridges in the world, from the world's first cast-iron bridge (The Iron Bridge) to the longest pre-stressed concrete bridge in the southern hemisphere (The Rio-Niteroi Bridge) to the tallest bridge in the world (the Millau Viduct). Introducing each engineer or architect, the main concepts of their work, as well as some of their most important projects in charming...

This hugely controversial work demonstrates convincingly how the world's three major monotheistic religions-Christianity, Judaism, and Islam-have attempted to suppress knowledge, science, pleasure, and desire, condemning nonbelievers often to death. Not since Nietzsche has a work so groundbreaking and explosive questioned the role of the world's three major monotheistic religions. If Nietzsche proclaimed the death of God, Onfray insists that not only...

Albert Camus?s spare, laconic masterpiece about a Frenchman who murders an Arab in Algeria is famous for having diagnosed, with a clarity almost scientific, that condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life.