Albert Camus?s spare, laconic masterpiece about a Frenchman who murders an Arab in Algeria is famous for having diagnosed, with a clarity almost scientific, that condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life.

"This response to Camus's The Stranger is at once a love story and a political manifesto about post-colonial Algeria, Islam, and the irrelevance of Arab lives. He was the brother of "the Arab" killed by the infamous Meursault, the antihero of Camus's classic novel. Seventy years after that event, Harun, who has lived since childhood in the shadow of his sibling's memory, refuses to let him remain anonymous: he gives his brother a story and a name--Musa--and...