Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power
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Larisa Kingston Mann., & Larisa Kingston Mann|AUTHOR. (2022). Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power . The University of North Carolina Press.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)Larisa Kingston Mann and Larisa Kingston Mann|AUTHOR. 2022. Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power. The University of North Carolina Press.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)Larisa Kingston Mann and Larisa Kingston Mann|AUTHOR. Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power The University of North Carolina Press, 2022.
MLA Citation, 9th Edition (style guide)Larisa Kingston Mann, and Larisa Kingston Mann|AUTHOR. Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power The University of North Carolina Press, 2022.
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Grouped Work ID | ef5e29c0-02f4-b727-56fc-8c47b9cf5028-eng |
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Full title | rude citizenship jamaican popular music copyright and the reverberations of colonial power |
Author | mann larisa kingston |
Grouping Category | book |
Last Update | 2023-08-27 18:04:40PM |
Last Indexed | 2024-03-27 06:41:02AM |
Book Cover Information
Image Source | hoopla |
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First Loaded | Jun 15, 2023 |
Last Used | Sep 17, 2023 |
Hoopla Extract Information
stdClass Object ( [year] => 2022 [artist] => Larisa Kingston Mann [fiction] => [coverImageUrl] => https://cover.hoopladigital.com/csp_9781469667256_270.jpeg [titleId] => 14806212 [isbn] => 9781469667256 [abridged] => [language] => ENGLISH [profanity] => [title] => Rude Citizenship [demo] => [segments] => Array ( ) [pages] => 242 [children] => [artists] => Array ( [0] => stdClass Object ( [name] => Larisa Kingston Mann [artistFormal] => Mann, Larisa Kingston [relationship] => AUTHOR ) ) [genres] => Array ( [0] => Caribbean & Latin American Studies [1] => Copyright [2] => Ethnic Studies [3] => Ethnomusicology [4] => Intellectual Property [5] => Law [6] => Music [7] => Social Science ) [price] => 2.29 [id] => 14806212 [edited] => [kind] => EBOOK [active] => 1 [upc] => [synopsis] => In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann shows, goes beyond cultural concerns. Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a world shaped by coloniality, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization. [url] => https://www.hoopladigital.com/title/14806212 [pa] => [subtitle] => Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power [publisher] => The University of North Carolina Press [purchaseModel] => INSTANT )