Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power
(eBook)

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Published
The University of North Carolina Press, 2022.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781469667256

Citations

APA Citation, 7th Edition (style guide)

Larisa Kingston Mann., & Larisa Kingston Mann|AUTHOR. (2022). Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power . The University of North Carolina Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Larisa Kingston Mann and Larisa Kingston Mann|AUTHOR. 2022. Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power. The University of North Carolina Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Larisa Kingston Mann and Larisa Kingston Mann|AUTHOR. Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power The University of North Carolina Press, 2022.

MLA Citation, 9th Edition (style guide)

Larisa Kingston Mann, and Larisa Kingston Mann|AUTHOR. Rude Citizenship: Jamaican Popular Music, Copyright, and the Reverberations of Colonial Power The University of North Carolina Press, 2022.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDef5e29c0-02f4-b727-56fc-8c47b9cf5028-eng
Full titlerude citizenship jamaican popular music copyright and the reverberations of colonial power
Authormann larisa kingston
Grouping Categorybook
Last Update2023-08-27 18:04:40PM
Last Indexed2024-03-27 06:41:02AM

Book Cover Information

Image Sourcehoopla
First LoadedJun 15, 2023
Last UsedSep 17, 2023

Hoopla Extract Information

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    [synopsis] => In this deep dive into the Jamaican music world filled with the voices of creators, producers, and consumers, Larisa Kingston Mann-DJ, media law expert, and ethnographer-identifies how a culture of collaboration lies at the heart of Jamaican creative practices and legal personhood. In street dances, recording sessions, and global genres such as the riddim, notions of originality include reliance on shared knowledge and authorship as an interactive practice. In this context, musicians, music producers, and audiences are often resistant to conventional copyright practices. And this resistance, Mann shows, goes beyond cultural concerns.

Because many working-class and poor people are cut off from the full benefits of citizenship on the basis of race, class, and geography, Jamaican music spaces are an important site of social commentary and political action in the face of the state's limited reach and neglect of social services and infrastructure. Music makers organize performance and commerce in ways that defy, though not without danger, state ordinances and intellectual property law and provide poor Jamaicans avenues for self-expression and self-definition that are closed off to them in the wider society. In a world shaped by coloniality, how creators relate to copyright reveals how people will play outside, within, and through the limits of their marginalization.
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