Binghamton Babylon: Voices from the Cinema Department, 1967-1977
(eBook)

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Published
State University of New York Press, 2015.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781438458908

Citations

APA Citation, 7th Edition (style guide)

Scott M. MacDonald., & Scott M. MacDonald|AUTHOR. (2015). Binghamton Babylon: Voices from the Cinema Department, 1967-1977 . State University of New York Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Scott M. MacDonald and Scott M. MacDonald|AUTHOR. 2015. Binghamton Babylon: Voices From the Cinema Department, 1967-1977. State University of New York Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Scott M. MacDonald and Scott M. MacDonald|AUTHOR. Binghamton Babylon: Voices From the Cinema Department, 1967-1977 State University of New York Press, 2015.

MLA Citation, 9th Edition (style guide)

Scott M. MacDonald, and Scott M. MacDonald|AUTHOR. Binghamton Babylon: Voices From the Cinema Department, 1967-1977 State University of New York Press, 2015.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID7954daba-cd44-6760-20af-b576e7b12e0d-eng
Full titlebinghamton babylon voices from the cinema department 1967 1977
Authormacdonald scott m
Grouping Categorybook
Last Update2023-04-05 18:45:54PM
Last Indexed2024-04-20 04:35:00AM

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First LoadedAug 18, 2022
Last UsedMar 2, 2024

Hoopla Extract Information

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    [synopsis] => Documents a volatile and productive moment in the development of film studies.

In Binghamton Babylon, Scott M. MacDonald documents one of the crucial moments in the history of cinema studies: the emergence of a cinema department at what was then the State University of New York at Binghamton (now Binghamton University) between 1967 and 1977. The department brought together a group of faculty and students who not only produced a remarkable body of films and videos but went on to invigorate the American media scene for the next half-century. Drawing on interviews with faculty, students, and visiting artists, MacDonald weaves together an engaging conversation that explores the academic excitement surrounding the emergence of cinema as a viable subject of study in colleges and universities. The voices of the various participants-Steve Anker, Alan Berliner, Danny Fingeroth, Hollis Frampton, Ernie Gehr, J. Hoberman, Ralph Hocking, Ken Jacobs, Bill T. Jones, Peter Kubelka, Saul Levine, Camille Paglia, Phil Solomon, Maureen Turim, and many others-tell the story of this remarkable period. MacDonald concludes with an analysis of the pedagogical dimensions of the films that were produced in Binghamton, including Larry Gottheim's Horizons; Jacobs's Tom, Tom, the Piper's Son; Gehr's Serene Velocity; Frampton's Critical Mass; and Nicholas Ray's final film, We Can't Go Home Again.
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