Music, Cosmology, and the Politics of Harmony in Early China
(eBook)

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Published
State University of New York Press, 2012.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781438443157

Citations

APA Citation, 7th Edition (style guide)

Erica Fox Brindley., & Erica Fox Brindley|AUTHOR. (2012). Music, Cosmology, and the Politics of Harmony in Early China . State University of New York Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Erica Fox Brindley and Erica Fox Brindley|AUTHOR. 2012. Music, Cosmology, and the Politics of Harmony in Early China. State University of New York Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Erica Fox Brindley and Erica Fox Brindley|AUTHOR. Music, Cosmology, and the Politics of Harmony in Early China State University of New York Press, 2012.

MLA Citation, 9th Edition (style guide)

Erica Fox Brindley, and Erica Fox Brindley|AUTHOR. Music, Cosmology, and the Politics of Harmony in Early China State University of New York Press, 2012.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID8babb0ff-ea4f-46b1-33a3-c4ede1ed8198-eng
Full titlemusic cosmology and the politics of harmony in early china
Authorbrindley erica fox
Grouping Categorybook
Last Update2023-08-22 18:00:19PM
Last Indexed2024-03-27 04:47:17AM

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Image Sourcehoopla
First LoadedJul 30, 2022
Last UsedJul 23, 2023

Hoopla Extract Information

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    [synopsis] => Explores the religious, political, and cultural significance attributed to music in early China.

In early China, conceptions of music became important culturally and politically. This fascinating book examines a wide range of texts and discourse on music during this period (ca. 500-100 BCE) in light of the rise of religious, protoscientific beliefs on the intrinsic harmony of the cosmos. By tracking how music began to take on cosmic and religious significance, Erica Fox Brindley shows how music was used as a tool for such enterprises as state unification and cultural imperialism. She also outlines how musical discourse accompanied the growth of an explicit psychology of the emotions, served as a fundamental medium for spiritual attunement with the cosmos, and was thought to have utility and potency in medicine. While discussions of music in state ritual or as an aesthetic and cultural practice abound, this book is unique in linking music to religious belief and demonstrating its convergences with key religious, political, and intellectual transformations in early China.
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