Smoke and Steel
(eAudiobook)

Book Cover
Average Rating
Published
Freshwater Seas, 2011.
Status
Available Online

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Physical Description
3h 41m 0s
Format
eAudiobook
Language
English
ISBN
9781933311524

Citations

APA Citation, 7th Edition (style guide)

Carl Sandburg., Carl Sandburg|AUTHOR., & Robert Bethune|READER. (2011). Smoke and Steel . Freshwater Seas.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Carl Sandburg, Carl Sandburg|AUTHOR and Robert Bethune|READER. 2011. Smoke and Steel. Freshwater Seas.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Carl Sandburg, Carl Sandburg|AUTHOR and Robert Bethune|READER. Smoke and Steel Freshwater Seas, 2011.

MLA Citation, 9th Edition (style guide)

Carl Sandburg, Carl Sandburg|AUTHOR, and Robert Bethune|READER. Smoke and Steel Freshwater Seas, 2011.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID7ddea557-4a3c-787d-4488-77c8df73d602-eng
Full titlesmoke and steel
Authorsandburg carl
Grouping Categorybook
Last Update2023-04-05 18:45:54PM
Last Indexed2024-04-20 04:39:04AM

Book Cover Information

Image Sourcehoopla
First LoadedAug 16, 2023
Last UsedSep 10, 2023

Hoopla Extract Information

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    [synopsis] => This is Carl Sandburg's third book of poetry and his largest. It is also the most wide-ranging. The title, Smoke and Steel, suggests the steel industry he knew in Chicago, Gary, and Pittsburgh, but he writes about many other things as well. His over-arching theme seems to be human life as a struggle in adversity, a struggle for the mere necessities of life - food, clothing, shelter, work - and a struggle for the human soul, a struggle for love, charity, justice, and equality. There is also eroticism, subtly expressed, in many of these poems; Sandburg loved beauty in every form, and the beauty of women was not lost on him.

Here you have the voice of a master poet, a genuinely and specifically American artist, at the top of his craft and passion. Enjoy!(A note to the listener: Sandburg, writing in the 1910s, sometimes used language that was racially and ethnically charged in his day and even more so in ours. It seems more honest to leave these few passages unaltered; we did speak this way once, and we do well not to forget the fact.)
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