river woman
(eBook)

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Published
House of Anansi Press Inc, 2018.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781487003470

Citations

APA Citation, 7th Edition (style guide)

Katherena Vermette., & Katherena Vermette|AUTHOR. (2018). river woman . House of Anansi Press Inc.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Katherena Vermette and Katherena Vermette|AUTHOR. 2018. River Woman. House of Anansi Press Inc.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Katherena Vermette and Katherena Vermette|AUTHOR. River Woman House of Anansi Press Inc, 2018.

MLA Citation, 9th Edition (style guide)

Katherena Vermette, and Katherena Vermette|AUTHOR. River Woman House of Anansi Press Inc, 2018.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID751441d9-9109-79f3-761d-020256c4cd51-eng
Full titleriver woman
Authorvermette katherena
Grouping Categorybook
Last Update2023-04-05 18:45:54PM
Last Indexed2024-03-27 04:22:04AM

Book Cover Information

Image Sourcehoopla
First LoadedDec 12, 2021
Last UsedSep 22, 2023

Hoopla Extract Information

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    [synopsis] => Governor General's Award–winning Métis poet and acclaimed novelist Katherena Vermette's second work of poetry, river woman, examines and celebrates love as postcolonial action. Here love is defined as a force of reclamation and repair in times of trauma, and trauma is understood to exist within all times. The poems are grounded in what feels like an eternal present, documenting moments of clarity that lift the speaker (and reader) out of our preconceptions of historical time, while never losing a connection to history. This is what we mean when we describe a work of art as being "timeless." Like the river they speak to, these poems return again and again to the same source in search of new ways to reconstruct what has been lost. Vermette suggests that it's through language and the body - particularly through language as it lives inside the body - that a fragmented self might resurface as once again whole. This idea of breaking apart and coming back together is woven throughout the collection as the speaker revels in the physical pleasures of learning Anishnaabemowin ("the language / I should have already known"), as she contemplates the ongoing negotiation between the natural world and urban structures, and as she finds herself falling into trust with the ones she loves. Divided into four sections, and written in her distinctively lean and elegantly spare style, where short lines belie the depth within them, river woman explores Vermette's relationship to nature - its destructive power and beauty, its timelessness, and its place in human history. Here is a poet who is a keen observer of an environment that is both familiar and otherworldly, where her home is alive with the sounds and smells of the land it grows out of, where "Words / transcend ceremony / into everyday" and "Nothing / is inanimate."
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