Who's to Say What's Obscene?: Politics, Culture, and Comedy in America Today
(eBook)

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Published
City Lights Publishers, 2013.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780872866430

Citations

APA Citation, 7th Edition (style guide)

Paul Krassner., & Paul Krassner|AUTHOR. (2013). Who's to Say What's Obscene?: Politics, Culture, and Comedy in America Today . City Lights Publishers.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Paul Krassner and Paul Krassner|AUTHOR. 2013. Who's to Say What's Obscene?: Politics, Culture, and Comedy in America Today. City Lights Publishers.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Paul Krassner and Paul Krassner|AUTHOR. Who's to Say What's Obscene?: Politics, Culture, and Comedy in America Today City Lights Publishers, 2013.

MLA Citation, 9th Edition (style guide)

Paul Krassner, and Paul Krassner|AUTHOR. Who's to Say What's Obscene?: Politics, Culture, and Comedy in America Today City Lights Publishers, 2013.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDad047019-312f-72cb-c8ca-fbc2d0e63516-eng
Full titlewhos to say whats obscene politics culture and comedy in america today
Authorkrassner paul
Grouping Categorybook
Last Update2023-04-05 18:45:54PM
Last Indexed2024-04-17 05:07:43AM

Book Cover Information

Image Sourcehoopla
First LoadedAug 16, 2023
Last UsedAug 16, 2023

Hoopla Extract Information

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    [synopsis] => Fans of The Daily Show and  will appreciate this timely collection of satirical essays by counterculture icon Paul Krassner. With irreverence and an often X-rated wit, Krassner writes with a unique perspective on comedy and obscenity in politics and culture, from "Bong Hits 4 Jesus" banners to scenes cut out of recent movies, including Borat and Milk. In his essay "Don Imus Meets Michael Richards," Krassner examines racism in comdey, from Lenny Bruce to Dave Chapelle, on The Sarah Silverman Snow and Curb Your Enthusiasm, and in controversial comic strips like The Bookdocks. In his piece "The Great Muhammad Cartoon Controversy," he looks at free speech and self-censorship in the face of threats–real and perceived–from religious fundamentalists. Throughout, Krassner riffs about busted public figures, counterculture, free speech, late-night talk shows, censorship, sex, and the current state of satire. "These are times of repression," says Krassner," and the more repression there is, the more there is for irreverence toward those in authority."
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