Éric Rohmer: A Biography
(eBook)

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Published
Columbia University Press, 2016.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780231541572

Citations

APA Citation, 7th Edition (style guide)

Antoine de Baecque., Antoine de Baecque|AUTHOR., & Noël Herpe|AUTHOR. (2016). Éric Rohmer: A Biography . Columbia University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Antoine de Baecque, Antoine de Baecque|AUTHOR and Noël Herpe|AUTHOR. 2016. Éric Rohmer: A Biography. Columbia University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Antoine de Baecque, Antoine de Baecque|AUTHOR and Noël Herpe|AUTHOR. Éric Rohmer: A Biography Columbia University Press, 2016.

MLA Citation, 9th Edition (style guide)

Antoine de Baecque, Antoine de Baecque|AUTHOR, and Noël Herpe|AUTHOR. Éric Rohmer: A Biography Columbia University Press, 2016.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDe0d7b4bc-cb7d-9e43-a08e-a5bbe54e68eb-eng
Full titleéric rohmer
Authorbaecque antoine de
Grouping Categorybook
Last Update2023-04-05 18:45:54PM
Last Indexed2024-03-29 05:49:53AM

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First LoadedDec 6, 2021
Last UsedDec 6, 2021

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    [synopsis] => The director of twenty-five films, including My Night at Maud's (1969), which was nominated for a Best Picture Academy Award, and the editor in chief of Cahiers du cinéma from 1957 to 1963, Éric Rohmer set the terms by which people watched, made, and thought about cinema for decades. Such brilliance does not develop in a vacuum, and Rohmer cultivated a fascinating network of friends, colleagues, and industry contacts that kept his outlook sharp and propelled his work forward. Despite his privacy, he cared deeply about politics, religion, culture, and fostering a public appreciation of the medium he loved. This exhaustive biography uses personal archives and interviews to enrich our knowledge of Rohmer's public achievements and lesser known interests and relations. The filmmaker kept in close communication with his contemporaries and competitors: François Truffaut, Jean-Luc Godard, Claude Chabrol, and Jacques Rivette. He held a paradoxical fascination with royalist politics, the fate of the environment, Catholicism, classical music, and the French nightclub scene, and his films were regularly featured at New York and Los Angeles film festivals. Despite an austere approach to life, Rohmer had a voracious appetite for art, culture, and intellectual debate captured vividly in this definitive volume.
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