The Madonnas of Leningrad
(eAudiobook)

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Published
HarperAudio, 2012.
Status
Available Online

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Physical Description
7h 7m 56s
Format
eAudiobook
Language
English
ISBN
9780062246172

Citations

APA Citation, 7th Edition (style guide)

Debra Dean., Debra Dean|AUTHOR., & Yelena Shmulenson|READER. (2012). The Madonnas of Leningrad . HarperAudio.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Debra Dean, Debra Dean|AUTHOR and Yelena Shmulenson|READER. 2012. The Madonnas of Leningrad. HarperAudio.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Debra Dean, Debra Dean|AUTHOR and Yelena Shmulenson|READER. The Madonnas of Leningrad HarperAudio, 2012.

MLA Citation, 9th Edition (style guide)

Debra Dean, Debra Dean|AUTHOR, and Yelena Shmulenson|READER. The Madonnas of Leningrad HarperAudio, 2012.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID951fa946-5dc0-395b-0f5c-18a1e3aa3aaf-eng
Full titlemadonnas of leningrad
Authordean debra
Grouping Categorybook
Last Update2022-09-14 16:38:35PM
Last Indexed2022-09-24 05:19:50AM

Book Cover Information

Image Sourcehoopla
First LoadedJan 14, 2022
Last UsedJan 14, 2022

Hoopla Extract Information

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    [synopsis] => Bit by bit, the ravages of age are eroding Marina's grip on the everyday. An elderly Russian woman now living in America, she cannot hold on to fresh memories-the details of her grown children's lives, the approaching wedding of her grandchild-yet her distant past is miraculously preserved in her mind's eye. Vivid images of her youth in war-torn Leningrad arise unbidden, carrying her back to the terrible fall of 1941, when she was a tour guide at the Hermitage Museum and the German army's approach signaled the beginning of what would be a long, torturous siege on the city. As the people braved starvation, bitter cold, and a relentless German onslaught, Marina joined other staff members in removing the museum's priceless masterpieces for safekeeping, leaving the frames hanging empty on the walls to symbolize the artworks' eventual return. As the Luftwaffe's bombs pounded the proud, stricken city, Marina built a personal Hermitage in her mind-a refuge that would stay buried deep within her, until she needed it once more. . . .
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