White Robes, Silver Screens
(eBook)

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Published
Indiana University Press, 2016.
Status
Available Online

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Format
eBook
Language
English
ISBN
9780253018489

Citations

APA Citation, 7th Edition (style guide)

Tom Rice., & Tom Rice|AUTHOR. (2016). White Robes, Silver Screens . Indiana University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Tom Rice and Tom Rice|AUTHOR. 2016. White Robes, Silver Screens. Indiana University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Tom Rice and Tom Rice|AUTHOR. White Robes, Silver Screens Indiana University Press, 2016.

MLA Citation, 9th Edition (style guide)

Tom Rice, and Tom Rice|AUTHOR. White Robes, Silver Screens Indiana University Press, 2016.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID6a6aa9bf-022e-6004-6c2a-d5ada87419ec-eng
Full titlewhite robes silver screens movies and the making of the ku klux klan
Authorrice tom
Grouping Categorybook
Last Update2022-06-07 21:27:36PM
Last Indexed2022-06-25 04:24:21AM

Book Cover Information

Image SourcecontentCafe
First LoadedJun 11, 2022
Last UsedJun 17, 2022

Hoopla Extract Information

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            [2] => History
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    [synopsis] => The Ku Klux Klan was reestablished in Atlanta in 1915, barely a week before the Atlanta premiere of The Birth of a Nation, D. W. Griffith's paean to the original Klan. While this link between Griffith's film and the Klan has been widely acknowledged, Tom Rice explores the little-known relationship between the Klan's success and its use of film and media in the interwar years when the image, function, and moral rectitude of the Klan was contested on the national stage. By examining rich archival materials including a series of films produced by the Klan and a wealth of documents, newspaper clippings, and manuals, Rice uncovers the fraught history of the Klan as a local force that manipulated the American film industry to extend its reach across the country. White Robes, Silver Screens highlights the ways in which the Klan used, produced, and protested against film in order to recruit members, generate publicity, and define its role within American society.
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