Cuba And Its Music: From the First Drums to the Mambo
(eBook)

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Published
Chicago Review Press, 2007.
Status
Available Online

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Format
eBook
Language
English
ISBN
9781569764206

Citations

APA Citation, 7th Edition (style guide)

Ned Sublette., & Ned Sublette|AUTHOR. (2007). Cuba And Its Music: From the First Drums to the Mambo . Chicago Review Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Ned Sublette and Ned Sublette|AUTHOR. 2007. Cuba And Its Music: From the First Drums to the Mambo. Chicago Review Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Ned Sublette and Ned Sublette|AUTHOR. Cuba And Its Music: From the First Drums to the Mambo Chicago Review Press, 2007.

MLA Citation, 9th Edition (style guide)

Ned Sublette, and Ned Sublette|AUTHOR. Cuba And Its Music: From the First Drums to the Mambo Chicago Review Press, 2007.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID1c9ae739-b38a-ebd4-d09f-efdfb9bcf0f7-eng
Full titlecuba and its music from the first drums to the mambo
Authorsublette ned
Grouping Categorybook
Last Update2023-04-05 18:45:54PM
Last Indexed2024-04-20 02:48:03AM

Book Cover Information

Image Sourcehoopla
First LoadedAug 16, 2023
Last UsedAug 16, 2023

Hoopla Extract Information

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    [synopsis] => This entertaining history of Cuba and its music begins with the collision of Spain and Africa and continues through the era of Miguelito Valds, Arsenio Rodriguez, Benny Mor, and Prez Prado. It offers a behind-the-scenes examination of music from a Cuban point of view, unearthing surprising, provocative connections and making the case that Cuba was fundamental to the evolution of music in the New World. The ways in which the music of black slaves transformed 16th-century Europe, how the claves appeared, and how Cuban music influenced ragtime, jazz, and rhythm and blues are revealed. Music lovers will follow this journey from Andalucía, the Congo, the Calabar, Dahomey, and Yorubaland via Cuba to Mexico, Puerto Rico, Saint-Dominguez, New Orleans, New York, and Miami. The music is placed in a historical context that considers the complexities of the slave trade; Cuba's relationship to the United States; its revolutionary political traditions; the music of Santera, Palo, Abaku, and Vod; and much more.
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